Instead, the bland story finds Damon and two other white actors surrounded by a largely Asian cast in a Chinese-approved adventure (where it’s already generating strong, though not blockbuster, box office). There’s little need for good performances or filmmaking when every scene has been calculated to serve the bottom line.Īssailed in the West for presenting a white savior at the center of an Asian cast, the movie’s racial violations aren’t as egregious as some early critics claimed. Hollywood and China’s terminally awkward shotgun wedding continues with “ The Great Wall,” a clunky, effects-riddled blockbuster in which a humorless Damon joins forces with major Chinese director Zhang Yimou for a project that suits neither of their talents. Now, Matt Damon’s battling mystical forces in medieval China. ![]() First, there was that inexplicable half-hour climax in “Transformers: Age of Extinction,” which exported the entire cast to Beijing.
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